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A Late Medieval Carved Oak Figure Holding a Roundel

A Late Medieval Carved Oak Figure Holding a Roundel

Period
1400 - 1500
Origin
England
Dimensions
W 6 3/4" × H 15 1/2"" × D 3 1/2"
Reference
#Marh3724

Price on application

Description

Medieval carved oak figure, the standing figure depicted holding a large circular roundel before the body with both hands. The figure is rendered in a characteristically late medieval manner, with stylised facial features, a straight-cut fringe, prominent nose, and simplified drapery falling in broad vertical folds. Standing upon an integral plinth and retaining a substantial support behind the left leg, the carving was intended for frontal display and likely formed part of a larger ecclesiastical furnishing.

The identity of the figure is uncertain. The large circular object may represent a shield, heraldic roundel, or symbolic attribute, although no surviving carved or painted decoration remains to permit a more specific interpretation. The scale, material, and manner of carving suggest an origin within a church setting, possibly associated with a rood screen, tabernacle, shrine, choir furnishing, or related architectural structure.

The surface exhibits extensive age-related wear and historic abrasion, with traces of its original carved detail softened through centuries of use and exposure. The reverse remains largely untouched, preserving the character of the original oak and evidence of considerable age.

A rare and evocative survival of late medieval English ecclesiastical woodcarving.

Small carved figures such as this formed part of the rich visual environment of the late medieval church. During the fifteenth century, parish churches were furnished with elaborate screens, tabernacles, shrines, choir fittings and devotional structures populated by carved saints, donors, heraldic figures and symbolic attendants. Executed in oak by local workshops, these sculptures were often brightly painted and gilded, creating an immersive setting for worship and religious instruction.

Curator's Note

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