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Early 16th-Century Montelupo Maiolica Albarello Sold

Early 16th-Century Montelupo Maiolica Albarello

Period
1500 - 1520
Origin
Italian (Montelupo Fiorentino)
Dimensions
W 4 1/2" diameter" × H 8"
Reference
#Marh3691

This piece has been sold. It is shown here for reference in our archive.

Description

A rare and beautiful early Renaissance maiolica albarello or pharmacy jar, of slightly waisted cylindrical form with a narrow shoulder and everted rim, finely decorated in cobalt blue, green, manganese and orange on a white tin-glazed ground. The surface is densely painted with alternating stylised “palmetta persiana” (Persian palmette) motifs, arabesques and foliage scrolls arranged in rhythmic interlace, bordered by two narrow orange bands.
The decoration exemplifies the “alla porcellana” (porcelain-inspired) style of Montelupo in the early sixteenth century, directly influenced by imported Hispano-Moresque and Near Eastern ceramics, which were widely admired by Florentine patrons. The floral and geometric ornament—composed of six-petalled rosettes framed by spiralling leaves—reflects the transitional phase between the late Quattrocento Islamicising tradition and the fully developed Italian Renaissance maiolica of the 1520s. The lustrous depth of the cobalt and the linear articulation of the design are hallmarks of the Montelupo workshops working for the Medici-controlled pharmacies of Florence and beyond.
The albarello form was designed to hold dry apothecary ingredients or unguents, its slightly waisted profile allowing it to be gripped securely by the hand, and its rim to be sealed with parchment or leather. Montelupo was the principal Tuscan centre for such wares in this period, supplying both monastic and courtly pharmacies in Florence, Pisa and Siena.
Condition: Minor rim and foot losses consistent with age; excellent surface and glaze retention.

This jar belongs to the earliest and most refined phase of Montelupo production, before the adoption of istoriato narrative painting. Its ornamental programme—dominated by Persianate palmettes, broken ribbon borders (“nastro spezzato”), and restrained polychromy—marks it as an example of the so-called “palmetta invadente” group, regarded as among the most elegant interpretations of the late Gothic to Renaissance stylistic transition in Italian maiolica.
Comparable examples are preserved in major museum collections (Louvre, V&A, MIC Faenza, British Museum), underscoring the exceptional quality and rarity of this piece.

Curator's Note

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