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East Devon Charles II joined oak armchair, Exeter region Sold

East Devon Charles II joined oak armchair, Exeter region

Period
Circa 1670
Origin
Exeter region
Dimensions
W 23 1/2" × H 41 1/4" × D 18 1/2"
Reference
#Marh3186

This piece has been sold. It is shown here for reference in our archive.

Description

This joined oak armchair is an important survival of the distinctively regional Devon tradition of carving, closely associated with the Exeter workshops of the mid to late 17th century. The back panel is carved with two large S-scrolls enclosing stylised rosettes, with additional foliate motifs filling the spandrels. The surrounding frame displays further leafy and scrolled ornament, while the seat and upper rails carry a continuous band of S-scroll carving, all executed with a bold, rhythmic energy characteristic of West Country joinery. The uprights terminate in columnar supports for the arms, which are broad and slightly down-swept, joined to plain lower stretchers and column-turned legs.
The chair’s robust composition, crisp carving, and dark patina embody the distinctive Exeter school, where joiners were producing furniture of both provincial strength and sophisticated design. The carved S-scrolls and rosettes are particularly associated with Exeter and East Devon workshops, and closely parallel the ornament seen on documented pieces from the Ottery St Mary district.
Provenance:
This chair formed part of the Paul Fitzsimmons Collection of Exeter Furniture and was exhibited in the Discovering Dennis exhibition, Guildhall, Exeter, November 2009 (although entered too late for inclusion in the published catalogue). Its details show strong affinities to the work of William Searle (active in Ottery St Mary before emigrating to Ipswich, Massachusetts in 1663) and Thomas Dennis, whose work in both Exeter and later Ipswich, Massachusetts, is widely acknowledged as foundational to early American furniture history. The carving of this chair provides an important visual bridge between the Exeter tradition and the transatlantic development of New England joinery.
Condition
Old repairs commensurate with age. The chair retains excellent presence and colour, with a surface consistent with long domestic use.

Symbolism
The S-scrolls, echoing infinite cycles, and the rosettes, representing renewal, were popular decorative devices of the later 17th century, reinforcing ideas of continuity and endurance in household furnishing.

Curator's Note

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  • East Devon Charles II joined oak armchair, Exeter region

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