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Dutch Delftware Lobed Dish with Chinoiserie Decoration Sold

Dutch Delftware Lobed Dish with Chinoiserie Decoration

Period
1650 - 1670
Origin
Delft or Haarlem
Dimensions
W 13 1/2" diameter" × D 2 3/4"
Reference
#Marh2322

This piece has been sold. It is shown here for reference in our archive.

Description

A finely potted mid-17th century Dutch Delftware lobed dish, the octagonal well and shaped rim painted in cobalt blue with a continuous Chinoiserie landscape. The central scene depicts Chinese figures in garden settings among stylised rockwork and foliage, enclosed by radiating panels of similar imagery alternating with floral sprays. The composition is directly inspired by contemporary Chinese kraak porcelain, widely imported into the Netherlands through the VOC (Dutch East India Company) and influential on European ceramic design.
The barbed or lobed form, with deep well and scalloped edge, closely imitates imported Chinese porcelain dishes of the Wanli period, while the freely brushed blue decoration demonstrates the confident hand of Dutch Delftware painters of the mid-17th century. Such dishes were both functional and decorative, serving at table or displayed as statements of wealth and taste in prosperous Dutch households.
Comparable examples are preserved in the collections of the Rijksmuseum, Amsterdam, and the Victoria & Albert Museum, London.

Dutch Delftware of this period, such as the present lobed dish, generally shows a higher level of technical and artistic refinement than contemporary English examples. The body is thinner and more evenly potted, the tin glaze smoother and whiter, and the cobalt painting handled with a freer, more fluid brush that captures the liveliness of Chinese kraak porcelain. By contrast, mid-17th century London and Bristol delftwares often appear heavier in form, with a denser glaze and more rigid brushwork.
The present dish, with its finely articulated lobed rim and confident blue painting, demonstrates the superiority of Dutch production at a time when English potters were still experimenting with similar Chinoiserie designs but had yet to achieve the same brilliance of line and depth of colour.

Curator's Note

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Specialist in early oak furniture and works of art.

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