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Monumental Late Gothic Oak Sculpture of the Consecration of a Bishop Sold

Monumental Late Gothic Oak Sculpture of the Consecration of a Bishop

Period
1480 - 1500
Origin
Flemish or Northern French
Dimensions
W 32" × H 39 1/2" × D 6"
Reference
#Marh3668

This piece has been sold. It is shown here for reference in our archive.

Description

A large and powerfully carved oak group depicting the Consecration of a Bishop, showing three mitred ecclesiastics: the central figure kneeling in prayer, hands joined in devotion, while two assisting bishops place a mitre upon his head. The drapery is rendered in deep rhythmic folds, cascading in angular planes that capture the distinctive Late Gothic drapery style of the Burgundian Netherlands. The figures wear full episcopal vestments with chasubles and stoles; their faces sensitively modelled with downcast, contemplative expressions.
The composition likely formed part of a major altarpiece ensemble, perhaps illustrating the Consecration of St Augustine or another episcopal saint, a subject popular in Brabant and Flanders during the final decades of the fifteenth century. Comparable examples of similar scale and style survive in the Musée des Beaux-Arts, Dijon and the Cathedral Museum, Tournai, where the dynamic drapery, elongated proportions, and intricate undercutting exemplify the transition from the late Gothic toward early Renaissance naturalism.
Condition: Losses and age cracks commensurate with age; old worming to surface; traces of original gesso and polychromy visible in recesses; mounted on a later oak plinth for display.

The monumental scale of this carving, combined with the sculptural complexity and devotional gravity, indicates production in a specialist ecclesiastical workshop, possibly in Malines or Brussels, both of which exported carved oak altarpieces across Northern Europe during this period. The reverse shows tool marks consistent with its original fixing into a structural retable framework.

Curator's Note

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Specialist in early oak furniture and works of art.

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