Portrait of King James VI of Scotland and I of England (1566–1625)
- Period
- 1620 - 1630
- Origin
- Scotland
- Dimensions
- W 20" (Frame 33 1/2")" × H 26" (Frame 39 1/2")"
- Reference
- #Marh2140
This piece has been sold. It is shown here for reference in our archive.
Description
Oil on pine panel, c.1620–30, After Paul van Somer (1577–1621) this finely painted head-and-shoulders portrait depicts King James VI of Scotland and I of England, shown wearing a black hat adorned with a jewelled badge, an elaborate lace ruff, and a richly decorated doublet with the blue ribbon of the Order of the Garter. The composition is based upon the celebrated likeness of the King by the Flemish artist Paul van Somer, court painter to James, whose full-length portrait of 1618 remains in the Royal Collection. Contemporary and workshop versions of this face pattern circulated widely among loyal courtiers and noble households, serving both as tokens of allegiance and as a visual reinforcement of the new Stuart monarchy following the Union of the Crowns in 1603.
Painted on pine panel—a support more commonly associated with Scottish portraiture of the early 17th century—this work may be identified as one of the provincial adaptations produced in Britain during the reign of James. Its survival with old butterfly keys to the reverse, stabilising natural shrinkage of the timber, further attests to its early date.
Of particular significance is its provenance: the portrait is inscribed to the reverse as having belonged to the collection of Sir Walter Scott of Abbotsford (1771–1832), the celebrated Scottish novelist, poet, and antiquarian. Scott was deeply invested in preserving the history and iconography of the Stuart dynasty, amassing a collection of relics, portraits, and manuscripts at Abbotsford that reflected his Romantic vision of Scotland’s national past. Portraits of James I with this provenance are of marked rarity, combining royal iconography with one of the most important literary collections of the 19th century.
This portrait therefore not only embodies the political and cultural ideals of Jacobean Britain, but also carries the distinguished association with Sir Walter Scott, whose Abbotsford collection has long been recognised as a cornerstone of Scottish national heritage.