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Set of Four Late Gothic Flemish Sculptures of Evangelists and St. Michael Sold

Set of Four Late Gothic Flemish Sculptures of Evangelists and St. Michael

Period
Circa 1500
Origin
Flemish
Dimensions
W 7 1/2" × H 17" × D 2 3/4"
Reference
#Marh2831

This piece has been sold. It is shown here for reference in our archive.

Description

A remarkable surviving group of four late Gothic oak figures, each carved in the round with traces of original polychrome. These figures, once part of a larger altarpiece ensemble, reflect the devotional richness of Flemish workshops active in the late 15th century.
The first figure is St. Michael the Archangel, shown triumphing over the devil, whose head is crushed beneath his feet.
The second figure, holding a book with a chalice beside him, may represent St. John in his Eucharistic role, or another saint linked to sacramental devotion.
The third figure is clearly St. John the Evangelist, identified by the eagle at his side.
The fourth figure depicts St. Luke the Evangelist, accompanied by his attribute, the winged bull.
Altogether, the set combines angelic victory with the authority of the Evangelists, embodying both the triumph of Christ over evil and the proclamation of the Gospels. Surviving Flemish ensembles of this type are rare, many having been destroyed during waves of iconoclasm in the 16th century.

This set is significant as a rare survival of late Gothic Flemish oak sculpture. Conceived for a church altarpiece around 1500, the figures once formed part of a wider cycle of saints and evangelists. Their attributes — St. Michael trampling the devil, John with his eagle, Luke with his bull — ensured instant recognition for the faithful.
The survival of four figures together as a coherent group is especially important. Most ensembles were dismantled or destroyed during the iconoclasm of the Reformation, leaving only isolated saints. This makes the present set not only visually striking but also a valuable witness to the splendour of Netherlandish church furnishings at the threshold of the Renaissance.

Curator's Note

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