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A Matched Set of Six South Lancashire / North Cheshire Oak Backstools Sold

A Matched Set of Six South Lancashire / North Cheshire Oak Backstools

Period
1670 - 1680
Origin
South Lancashire- North Cheshire
Dimensions
W 19 1/2" × H 42 1/2" × D 16"
Reference
#Marh3605

This piece has been sold. It is shown here for reference in our archive.

Description

A matched set of six oak backstools, each with arched cresting rails and panelled backs carved with vigorous foliate motifs—tulips, scrolling vines, lunettes and leafage—above plain boarded seats. Block-and-turned forelegs are joined by a boldly repeated bobbin/baluster front stretcher and plain side and rear stretchers; back legs are square and raked in the regional manner.
The form and decorative vocabulary accord with workshops active in South Lancashire and North Cheshire in the later 17th century, as discussed by Victor Chinnery, Oak Furniture: The British Tradition (Woodbridge, 1979), pp. 484–485. The present group illustrates the expected variation within the type: individual back panels display differing but related patterns while maintaining consistent proportions, turnings and construction.
Provenance: Private Devonshire collection.
Condition: matched as a set; some repairs and restorations consistent with age and long domestic use; good historic colour and surface.
Literature
Victor Chinnery, Oak Furniture: The British Tradition (1979), pp. 484–485, for discussion and comparable South Lancashire / North Cheshire backstools.

Symbolism in the Carved Panels
The carved decoration across the six backs incorporates a vocabulary of motifs deeply rooted in 17th-century meaning and taste. Foliate sprays and scrolling vines evoke growth and continuity, with biblical overtones of the vine as Christ. Stylised tulips reflect contemporary fashion and the association with beauty and prosperity, while the tree-like central stems suggest the enduring “tree of life” motif — a symbol of family and resilience. Lunettes and radiating arches recall both Gothic survivals and celestial imagery, suggesting order and divine light. Together, these panels offered household furniture not only ornament but a visual language of piety, prosperity, and renewal.

Curator's Note

Previous Henry VIII Oak Count… Next Dated and Initialled…
  • A Matched Set of Six South Lancashire / North Cheshire Oak Backstools

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