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A South Netherlandish Walnut Devotional Sculpture of the Virgin and Child Enthoned

A South Netherlandish Walnut Devotional Sculpture of the Virgin and Child Enthoned

Period
Circa 1515–1530
Origin
Brabant, Southern Netherlands
Dimensions
W 4 1/2" (Velvet support 7")" × H 11" (Velvet support 13 3/4")" × D 1 1/2" (Velvet support 3 3/4")"
Reference
#Marh3800

£2,850

Description

A finely carved small devotional sculpture depicting the Virgin and Child Enthroned, produced in the Southern Netherlands during the early sixteenth century.

The Virgin is seated upon an elaborate high-backed throne, supporting the Christ Child upon her left knee. Christ holds a small book, an attribute associated with the Holy Scriptures and Christ as the Word, while the Virgin’s raised right hand appears originally to have held a now-lost attribute, possibly a flower or flowering stem.

Carved in walnut, the sculpture combines the elongated proportions and flowing drapery of the late Gothic tradition with the newly fashionable architectural vocabulary of the Renaissance. Its intimate scale suggests that it was intended for private devotion, perhaps within a domestic chapel, chamber or small devotional shrine.

The sculpture may be placed within the artistic environment of Brabant, encompassing the important centres of Brussels, Antwerp and Leuven, during the first decades of the sixteenth century.

The Renaissance Throne

The throne provides an important indication of the sculpture’s date. Its rounded architectural back, strong horizontal mouldings and substantial squared arms belong to the emerging Renaissance vocabulary adopted in the Southern Netherlands during the early sixteenth century.

What makes the sculpture particularly interesting is the coexistence of this new architectural language with a Virgin whose figure and drapery remain rooted in the late Gothic tradition. This transition can also be observed in contemporary Netherlandish painting, where traditional devotional subjects were increasingly placed within elaborate Renaissance thrones and architectural settings.

The throne therefore supports a date in the first quarter of the sixteenth century, probably circa 1515–1530, and places the sculpture within a fascinating moment when the medieval artistic tradition of the Southern Netherlands was beginning to absorb the forms of the Renaissance.

Curator's Note

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Specialist in early oak furniture and works of art.

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