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  • The Three Marys at the Tomb, with the Angel of the Resurrection
  • The Three Marys at the Tomb, with the Angel of the Resurrection
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The Three Marys at the Tomb, with the Angel of the Resurrection

Period
Circa 1650
Origin
Flemish, Brussels
Dimensions
W 166" × H 108"
Reference
#Marh2681

This piece has been sold. It is shown here for reference in our archive.

Description

A monumental mid-17th century Flemish tapestry, woven in wool and silk, depicting the biblical episode of the Three Marys at the Tomb, drawn from the Gospel narratives of the Resurrection. The scene shows the moment when Mary Magdalene, Mary the mother of James, and Salome approach the tomb of Christ bearing ointment jars, intending to anoint his body. To their astonishment they find the stone rolled away and an angel, radiant with divine light, seated upon the tomb who announces that “He is risen; he is not here.”
The composition is set within a verdant wooded landscape with rocky grotto, enlivened by birds, animals, and distant architecture. The richly robed figures, with their flowing draperies and animated gestures, exemplify the refined artistry of Brussels workshops at this period. The use of silk threads heightens the luminosity of the angel’s radiance and the vibrancy of the women’s garments, demonstrating the technical mastery for which Flemish weaving was renowned.
The Resurrection was one of the most important subjects for 17th-century ecclesiastical and princely patrons, intended to proclaim both the central tenet of Christian faith and the triumph of divine truth. Tapestries of this scale and subject would have formed part of a larger Passion or Resurrection cycle, hung for major feast days and liturgical celebrations.

This is a pair to Marh2680:Together, the pair forms part of a Resurrection cycle designed to convey the central truth of the Christian faith — Christ’s triumph over death. Such tapestries were commissioned for ecclesiastical or princely settings, to be displayed during major feast days and liturgical celebrations. The use of silk highlights within the drapery and foliage demonstrates the technical mastery of the Brussels workshops at this period, where biblical and devotional cycles were among the most ambitious productions.

Curator's Note

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  • The Three Marys at the Tomb, with the Angel of the Resurrection
  • The Three Marys at the Tomb, with the Angel of the Resurrection

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