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  • Pair of Netherlandish Niche Still Life Paintings of Game
  • Pair of Netherlandish Niche Still Life Paintings of Game
  • Pair of Netherlandish Niche Still Life Paintings of Game
  • Pair of Netherlandish Niche Still Life Paintings of Game
  • Pair of Netherlandish Niche Still Life Paintings of Game
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Pair of Netherlandish Niche Still Life Paintings of Game

Period
17th century
Origin
Dutch
Dimensions
W 20 1/4" (frame 30 1/4")" × H 24" (frame 34 1/2")"
Reference
#Marh3114

This piece has been sold. It is shown here for reference in our archive.

Description

A fine pair of Netherlandish oil on canvas still life’s, each depicting an arched stone niche filled with hunting trophies and kitchen produce.
The first panel shows pheasants and smaller game birds suspended from hooks, with a rabbit, herbs, vessels, and a bundle of cord arranged upon the ledge. The second depicts a hare and birds hanging from a wooden pole, surrounded by further game laid out on the stone shelf, with a red earthenware jug set into the shadows beyond. Both compositions exemplify the “niche still life” tradition that flourished in the Dutch Republic and Flanders in the mid-17th century, where artists combined trompe l’oeil illusionism with the symbolic language of abundance, hunting culture, and domestic provision.
The treatment of feathers, fur, and textures of stone and ceramic demonstrates the meticulous observational skill typical of the period, while the arched format and recessed settings recall architectural framing devices seen in works by artists such as Cornelis Mahu, Jan Davidsz de Heem, and the Antwerp game-piece painters.
The paintings are presented in high-quality 20th-century reproduction frames in the Dutch style, with ebonised ripple mouldings and inset blue-stone marbling, echoing the type of frames originally used for such still life’s in the 17th century.

The “niche still life” format, with game birds and hares displayed in arched stone recesses, is characteristic of Dutch and Flemish painting of the mid-17th century. The restrained palette, meticulous textures, and trompe l’oeil architecture all point to the Northern tradition. By contrast, 18th- and 19th-century English still lifes favoured brighter fruit and floral subjects without such architectural framing or hunting symbolism.

Curator's Note

Previous Gothic Oak and Pine… Next Flemish Renaissance…
  • Pair of Netherlandish Niche Still Life Paintings of Game
  • Pair of Netherlandish Niche Still Life Paintings of Game
  • Pair of Netherlandish Niche Still Life Paintings of Game
  • Pair of Netherlandish Niche Still Life Paintings of Game
  • Pair of Netherlandish Niche Still Life Paintings of Game

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