Paul Fitzsimmons logo
  • Current Stock
  • Archive
  • Notable Works
  • About Us
  • News
  • Contact
Home / Archive / Late Renaissance / E…
Previous Next
Late Renaissance / Early Baroque giltwood sculpture of a Maiden in Mourning Sold

Late Renaissance / Early Baroque giltwood sculpture of a Maiden in Mourning

Period
1600 - 1620
Origin
Spain, Castile or Aragón
Dimensions
W 9 1/2" × H 21 1/2" × D 5 3/4"
Reference
#Marh2872

This piece has been sold. It is shown here for reference in our archive.

Description

A deeply expressive Spanish giltwood sculpture, depicting a maiden in mourning, carved in the round with flowing drapery and rich traces of original gilding. The figure is shown with downcast expression, her right hand raised to her face in a gesture of lament, while her left hand holds a closed book, a symbol of devotion and meditation.
The emotional naturalism of the figure, combined with the broad handling of the drapery and the glowing gilded surface, situates the work within the Iberian sculptural tradition at the cusp of the Renaissance and Baroque periods. Such figures were often part of larger Passion ensembles or devotional groups, intended to invite the viewer into a shared experience of grief and contemplation.
This piece exemplifies the Spanish concern with heightened realism and affective spirituality, characteristics championed by sculptors such as Gregorio Fernández and his circle in the early 17th century. Its restrained yet poignant composition reflects the transition from the balanced serenity of the Renaissance toward the dramatic intensity of the Baroque.

Figures such as this mourning maiden were typically created for inclusion in larger Passion ensembles or Calvary groups that stood on church altars, or were used in processional settings during Holy Week. In Spain, particularly in Castile and Aragón, sculptors of the early 17th century developed a highly emotive style designed to move the faithful to compassion (compassio) and active devotion.
Placed beside the Virgin, St John, or the Magdalene at the foot of the Cross, such maidens intensified the narrative of sorrow and served as visual conduits for the viewer’s own meditation on Christ’s suffering. Their portability and clarity of gesture also made them suitable for pasos—the great processional platforms carried through the streets in Holy Week—where their gilded surfaces would catch and reflect candlelight, creating dramatic devotional theatre.

Curator's Note

Previous Elizabeth I oak boar… Next Charles I gaming tab…
  • Late Renaissance / Early Baroque giltwood sculpture of a Maiden in Mourning

Newsletter

New Stock, Direct to Your Inbox.

Be among the first to hear about new acquisitions and notable works.

Please enable JavaScript in your browser to complete this form.
Loading
Paul Fitzsimmons logo
  • Current Stock
  • Archive
  • Notable Works
  • About Us
  • News
  • Contact

Contact Us

+44 (0)777 903 8891

  • Pinterest
  • Instagram

By Appointment

Devon, England.

Paul Fitzsimmons

Specialist in early oak furniture and works of art.

© 2026 Paul Fitzsimmons | Website by Dancing Badger Ltd

  • Privacy Policy
  • Terms & Conditions

Search the collection

Search in
    1 / 1